понедельник, 7 сентября 2009 г.

Rug hooking

Rug hooking is a craft where rugs are made by pulling loops of yarn or fabric through a stiff woven base such as burlap, linen, or rug warp. The loops are pulled through the backing material by using a crochet-type hook mounted in a handle (usually wood) for leverage. In contrast latch-hooking uses a hinged hook to form a knotted pile from short, pre-cut pieces of yarn.
A craftsperson creates a hooked rug by pulling lengths of cloth, usually wool, through a woven fabric, usually burlap.

Wool strips ranging in size from 3/32 to 10/32 of an inch (2 to 8 mm) in width are often used to create hooked rugs or wall hangings. These precision strips are usually cut using a mechanical cloth slitter; however, the strips can also be hand-cut or torn. When using the hand-torn technique the rugs are usually done in a primitive motif.

Designs for the rugs are often commercially produced and can be as complex as flowers or animals to as simple as geometrics. Rug-hooking has been popular in North America for at least the past 200 years.

Glagolitic script (10–11 centuries)

Alphabets that became a basis for slavonic writing were called "Glagolitic" and "Cyrillic" alphabets. The history of their emergence is totally unknown. One can judge upon the ancient forms of glagolitsa only approximately, as the extant monuments of glagolitsa are dated no later than the end of the 10th century. Looking through glagolitsa one can understand that its forms are very ingenious. Symbols as a rule are composed of two elements that are combined one above the other.
Glagolitic script

Such construction can be seen in the decoration of kirillitsa. It usually doesn’t include simple forms. They are connected with straights. Some letters (ш, у, м, ч, э) correspond to their modern form. Resting upon the form of letters one can speak about two types of glagolitsa. The first one – Bulgarian glagolitsa – has roundish letters, and Croatian glagolitsa – called as well illyrian or dalmatian – has an angular forms of letters. Neither of the two types has strict border zones of spreading. Later glagolitsa borrowed many sounds from kirillitsa. West slavic glagolitsa existed for only a short time and was replaced with the Latin writing. But glagolitsa didn’t perish in modern times. It was used up to the beginning of World War II, and was even used for newspapers. It is currently being used in Croatian settlements of Italy.

Calligraphy

Calligraphy (from Greek κάλλος kallos "beauty" + γραφή graphẽ "writing") is a type of visual art. It is often called the art of writing (Mediavilla 1996: 17). A contemporary definition of calligraphic practice is "the art of giving form to signs in an expressive, harmonious and skillful manner" (Mediavilla 1996: 18). The story of writing is one of aesthetic evolution framed within the technical skills, transmission speed(s) and materials limitations of a person, time and place (Diringer 1968: 441). A style of writing is described as a script, hand or alphabet (Fraser & Kwiatkowski 2006; Johnston 1909: Plate 6).

Modern calligraphy ranges from functional hand lettered inscriptions and designs to fine art pieces where the abstract expression of the handwritten mark may or may not supersede the legibility of the letters (Mediavilla 1996). Classical calligraphy differs from typography and non-classical hand-lettering, though a calligrapher may create all of these; characters are historically disciplined yet fluid and spontaneous, improvised at the moment of writing (Pott 2006 & 2005; Zapf 2007 & 2006). Calligraphy continues to flourish in the forms of wedding and event invitations, font design/ typography, original hand-lettered logo design, religious art, various announcements/ graphic design/ commissioned calligraphic art, cut stone inscriptions and memorial documents. Also props and moving images for film and television, testimonials, birth and death certificates/maps, and other works involving writing (see for example Letter Arts Review; Propfe 2005; Geddes & Dion 2004).